Why Pay for Canvas?

As many readers know, suit jackets and sport coats mainly come in three types of construction: fused, half-canvassed, and fully-canvassed. A fused jacket will have a lightweight fusible interlining sandwiched in-between the two outer shell fabrics, and a canvassed one will have a canvas made from animal hair (usually horse or camel) mixed with either cotton or wool. Generally speaking, canvassed jackets will cost considerably more than fused ones. So why pay for them?

Well, one of the reasons is that a canvassed jacket will have a lot more three-dimensional shape. Animal hair can be molded using steam, heat, and pressure, much like how a woman’s hair can be shaped using a hot curling iron. With that shape, you get a much more beautiful garment. 

Take a look above. The top most photo is of Alan See with his lovely wife at the menswear trade show Pitti Uomo. He’s seen here wearing a three-piece suit by Liverano & Liverano, a bespoke tailoring house in Florence, Italy. Notice how his lapel line “blooms” as it moves from the buttoning point to his shoulders? It has a “roll” to it, rather than being pressed flat against his chest. Similarly, just below him are JefferyD and MostExerent, both of which also have nice, shapely lapels that “roll” near their buttoning points.

To understand how this is achieved, look at the bottommost photo above (also taken from JefferyD). Moving from left to right, the first material is haircloth, which is made from wiry horsetail strands. This is used to add shape to the chest and shoulders (ever put on a Tom Ford suit and feel like you’re wearing a prosthetic chest? This is because he puts in a ton of haircloth into his suits). The second material is wrapped haircloth, which is a softer, more affordable alternative. Next, we have a wool canvas (the brown material) and a fusible (the black material). These are added on top of the haircloth and extend from the shoulders to the hem (the haircloth is only in the chest). Notice that the brown wool canvas has a natural roll to it while the black fusible is limp. This natural roll is what gives those lapels their “bloom.” 

Of course, this isn’t to say that fused garments aren’t worth buying. They’re considerably more affordable, which is nice if you’re on a budget or if your tastes are still developing. It can take a long, long time for your tastes to settle and for you to develop an eye for what truly fits and flatters you the most. It would be a shame if you had to make your mistakes on much more expensive garments. 

If you have the money, however, and you feel confident in your choices, canvassed garments can be much more handsome. And once you own some, know how to best preserve their shape (after all, that’s what you paid for). Make sure your jackets aren’t smashed against each other in your closet and use hangers with wide, flared out shoulders. Our advertiser The Hanger Project sells some really nice ones, but if you want something more affordable, check out Wooden Hangers USA. Also, stay away from bad dry cleaners, as they can really press the life out of your jackets’ lapels, shoulders, and chests. I ship my stuff to RAVE FabriCare, but you can look for someone more local. Finally, be careful with garment steamers, and don’t hang your jackets in the bathroom while taking a shower. Steam will take out the wrinkles, it’s true, but it’ll also take out the shape. If that ever happens, you can send your jacket to a place that gives a good handpressing. That should be done every once in a while anyway, just so your jackets can maintain their form. 

(Photos via NY Mag, JefferyD, and MostExerent)

Start With a Good Cloth
I love this photo by Ethan Desu. It reminds me that at their foundation, all nice garments begin with a good cloth. The man pictured here is Taka from Liverano & Liverano, a bespoke tailoring house in Florence, Italy. His clothes are fairly simple – a navy sport coat, blue shirt, and a burgundy silk tie with medallions printed on it – but what makes them beautiful is how rich and handsome the fabrics look. The slightly fuzzy nap and barely discernible twill lines on the jacket, which is made from a vintage Harris Tweed, are especially appealing.
If you take the time to sample enough cloth, and pay attention to what you feel, you’ll soon be able to discern the quality of a fabric the moment you touch it. Good wools, for example, will feel lively and rich in the hand. If you pinch them between your index finger and thumb, they’ll easily roll and sometimes even feel a bit springy. Bad wool, on the other hand, will feel flat, lifeless, and might even be a bit crushable. Bad cottons will also feel a bit “paper-y.” More than these “tests” though, you should always go with your gut, emotive reaction. A good cloth will always look and feel beautiful, while a bad cloth will be dull and uninteresting. In some ways, it’s as simple as that.
The online community of men’s style enthusiasts loves to obsess over details that most people won’t notice. I’m not saying a garment’s design isn’t important, but at their core, a beautiful garment starts with a good cloth and a nice cut. Considerations such as patch vs. welted pockets come after. 
(Photo from ethandesu)

Start With a Good Cloth

I love this photo by Ethan Desu. It reminds me that at their foundation, all nice garments begin with a good cloth. The man pictured here is Taka from Liverano & Liverano, a bespoke tailoring house in Florence, Italy. His clothes are fairly simple – a navy sport coat, blue shirt, and a burgundy silk tie with medallions printed on it – but what makes them beautiful is how rich and handsome the fabrics look. The slightly fuzzy nap and barely discernible twill lines on the jacket, which is made from a vintage Harris Tweed, are especially appealing.

If you take the time to sample enough cloth, and pay attention to what you feel, you’ll soon be able to discern the quality of a fabric the moment you touch it. Good wools, for example, will feel lively and rich in the hand. If you pinch them between your index finger and thumb, they’ll easily roll and sometimes even feel a bit springy. Bad wool, on the other hand, will feel flat, lifeless, and might even be a bit crushable. Bad cottons will also feel a bit “paper-y.” More than these “tests” though, you should always go with your gut, emotive reaction. A good cloth will always look and feel beautiful, while a bad cloth will be dull and uninteresting. In some ways, it’s as simple as that.

The online community of men’s style enthusiasts loves to obsess over details that most people won’t notice. I’m not saying a garment’s design isn’t important, but at their core, a beautiful garment starts with a good cloth and a nice cut. Considerations such as patch vs. welted pockets come after. 

(Photo from ethandesu)