Consider the Silk Scarf
If you’re wearing a wool coat this winter, consider pairing it with a silk scarf. Silk scarves aren’t as versatile as ones made from cashmere or lambswool, but they look amazing when worn with heavy dress coats. By that I mean things such as polo coats, Ulster coats, and Chesterfields – the kinds of things that you sometimes see labeled as “dress outerwear” in places such as Brooks Brothers. It’s just another way of saying outerwear that’s dressier than things such as parkas and leather bomber jackets.
A silk scarf can really soften up the look of a heavy wool coat. See Noel Coward above or Gordon Gekko in this scene from the movie Wall Street. In both cases, their scarves in lend a nice sheen to an otherwise matte ensemble. It’s not unlike how we use silk ties and polished shoes to counterbalance the flatness of a wool sport coat or woolen trousers. As I wrote earlier this year, I believe a lot of what it means to dress well is learning how to strike a balance between different elements of what you’re wearing (patterns, texture, hardness/ softness, sheen/ flatness, etc). Light silk scarves do that well with heavy wool coats, so long as the coat is as dressy as the scarf.
There are a few places to buy a silk scarf. My favorite is Drake’s, who sells them in a few different designs. I have two of their reversible dotted tubular scarves – one in navy and one in brown – which kind of look like this, but without the fringed ends. A navy dotted silk scarf is arguably the most versatile version you can buy, though I like my brown one for when I wear navy coats. The difference in color helps distinguish it from the rest of what I’m wearing.
You can also pick some up from traditional men’s haberdashers, such as Ben Silver, Brooks Brothers, J. Press, Paul Stuart, and A Suitable Wardrobe. Additionally, San Francisco’s Wingtip stocks Edward Armah silk scarves, as well as a few under their own house label. You can also buy Edward Armah’s scarves directly from Edward Armah themselves.
Admittedly, all those are quite expensive. You could wait for them to go on sale, but they’ll still be on the pricey side. Alternatively, KJ Beckett sells silk scarves by Michelsons of London (also available through the manufacturer themselves), but I have no first hand experience with their products, so I can’t speak about their quality. You can also try eBay. This seller, for example, regularly stocks them, but his/ her scarves are often short and narrow. That’ll limit how you can wear the scarf. You may be able to get away with wearing it like a muffler underneath your buttoned up coat, but it may look silly if you try anything else. Better if you can get something 64” or longer, but those will typically cost you considerably more. 

Consider the Silk Scarf

If you’re wearing a wool coat this winter, consider pairing it with a silk scarf. Silk scarves aren’t as versatile as ones made from cashmere or lambswool, but they look amazing when worn with heavy dress coats. By that I mean things such as polo coats, Ulster coats, and Chesterfields – the kinds of things that you sometimes see labeled as “dress outerwear” in places such as Brooks Brothers. It’s just another way of saying outerwear that’s dressier than things such as parkas and leather bomber jackets.

A silk scarf can really soften up the look of a heavy wool coat. See Noel Coward above or Gordon Gekko in this scene from the movie Wall Street. In both cases, their scarves in lend a nice sheen to an otherwise matte ensemble. It’s not unlike how we use silk ties and polished shoes to counterbalance the flatness of a wool sport coat or woolen trousers. As I wrote earlier this year, I believe a lot of what it means to dress well is learning how to strike a balance between different elements of what you’re wearing (patterns, texture, hardness/ softness, sheen/ flatness, etc). Light silk scarves do that well with heavy wool coats, so long as the coat is as dressy as the scarf.

There are a few places to buy a silk scarf. My favorite is Drake’s, who sells them in a few different designs. I have two of their reversible dotted tubular scarves – one in navy and one in brown – which kind of look like this, but without the fringed ends. A navy dotted silk scarf is arguably the most versatile version you can buy, though I like my brown one for when I wear navy coats. The difference in color helps distinguish it from the rest of what I’m wearing.

You can also pick some up from traditional men’s haberdashers, such as Ben Silver, Brooks Brothers, J. Press, Paul Stuart, and A Suitable Wardrobe. Additionally, San Francisco’s Wingtip stocks Edward Armah silk scarves, as well as a few under their own house label. You can also buy Edward Armah’s scarves directly from Edward Armah themselves.

Admittedly, all those are quite expensive. You could wait for them to go on sale, but they’ll still be on the pricey side. Alternatively, KJ Beckett sells silk scarves by Michelsons of London (also available through the manufacturer themselves), but I have no first hand experience with their products, so I can’t speak about their quality. You can also try eBay. This seller, for example, regularly stocks them, but his/ her scarves are often short and narrow. That’ll limit how you can wear the scarf. You may be able to get away with wearing it like a muffler underneath your buttoned up coat, but it may look silly if you try anything else. Better if you can get something 64” or longer, but those will typically cost you considerably more. 

Getting a Good Leather Belt
Belts are one of those things you can skimp on without looking too much worse for it. I wrote a post a few months back about how you can find a serviceable (even if not terribly well-made) belt for about $20-30. If you’re willing to spend a little more, however, I thought I’d cover some of my favorite places to get something better.
Ready-to-Wear Belts
If you purchase most of your shoes from one company, it can be wise to source your belt from the same manufacturer. Companies such as Allen Edmonds, Alden, Crockett & Jones, and Edward Green make belts in the same leathers they use for their shoes. In this way, you can easily follow that rule of thumb that the color of one’s belt should generally match one’s shoes.
For other nice, off-the-shelf options, check some of the more traditional American clothiers, such as Ben Silver, Paul Stuart, and Brooks Brothers. Brooks discounts theirs by 25% or more once or twice a season. I liked the buckle on this one so much that I bought three in different colors. And though I don’t personally own any, people have written good reviews of Traflagar and Martin Dingman’s offerings.
Online, you can find some beautiful belts at A Suitable Wardrobe. Their lightly textured hides – made from 20-month old French calves – is a nice balance between the more boring, plain variety (which I admit I mostly have) and showier exotics such as alligator, ostrich, and crocodile. For something more affordable, Austin Jeffers supplies nice, basic designs for about $50. 
Custom Belts
The world of custom belts is vast, but I’ll only cover four. The most affordable I know of is bridle belt maker Narragansett Leathers. Bridle leather is a thickly cut leather with a high oil content, which makes it both harder wearing and water resistant. This is the kind of belting leather that will indeed last a lifetime. Narragansett makes their belts quite simply – leathers are cut, holes are punched, and buckles and keepers are then attached. A basic, durable belt starting at about $35.
Another bridle leather belt maker is Equus Leathers, who I like a bit better for the details they put in. The edges have a nice scored line, the keepers are squared off, and the edge burnishing is done a bit more nicely. I also like their very well-executed handsewn saddle stitching. Charlie, who runs Equus, used to make a living in bespoke saddlery, but the market for that has been destroyed by foreign imports. So now he just does belts, and knows the craft quite well.
The robustness of bridle leather makes it appropriate for chinos and jeans, but for suits and any worsted material, I like dressier, edge stitched belts from companies such as James Reid. Theirs are made from an all-leather, two-piece construction. There’s no inner layer or non-leather filler, which makes them much softer and smarter than bridle leather belts. The backing strap is made from full-grain, oak-tanned, harness quality cowhides from one of the last remaining tanneries in America, Herman Oaks. This strap is beveled along both edges, so that when the top layer is laid down, a contoured cross-sectional shape is produced with a feathered edge. Should you need an affordable buckle to go with their belts, you can contact Charlie at Equus. 
Lastly, there’s Herve N. Sellier, a French maker of fine leather goods that was introduced to me by a friend of mine who knows more about quality clothing than anyone I know. I’ve never tried Herve N. Sellier’s goods, but the company’s founder and craftsman used to produce exclusively for Hermes for twenty years, which alone should probably say something about his craft. Remarkably, the prices he charges for his belts aren’t too much more than those from the options mentioned above.
(Pictured: my belts from James Reid, Narragansett Leathers, and Equus Leathers)

Getting a Good Leather Belt

Belts are one of those things you can skimp on without looking too much worse for it. I wrote a post a few months back about how you can find a serviceable (even if not terribly well-made) belt for about $20-30. If you’re willing to spend a little more, however, I thought I’d cover some of my favorite places to get something better.

Ready-to-Wear Belts

If you purchase most of your shoes from one company, it can be wise to source your belt from the same manufacturer. Companies such as Allen Edmonds, Alden, Crockett & Jones, and Edward Green make belts in the same leathers they use for their shoes. In this way, you can easily follow that rule of thumb that the color of one’s belt should generally match one’s shoes.

For other nice, off-the-shelf options, check some of the more traditional American clothiers, such as Ben Silver, Paul Stuart, and Brooks Brothers. Brooks discounts theirs by 25% or more once or twice a season. I liked the buckle on this one so much that I bought three in different colors. And though I don’t personally own any, people have written good reviews of Traflagar and Martin Dingman’s offerings.

Online, you can find some beautiful belts at A Suitable Wardrobe. Their lightly textured hides – made from 20-month old French calves – is a nice balance between the more boring, plain variety (which I admit I mostly have) and showier exotics such as alligator, ostrich, and crocodile. For something more affordable, Austin Jeffers supplies nice, basic designs for about $50. 

Custom Belts

The world of custom belts is vast, but I’ll only cover four. The most affordable I know of is bridle belt maker Narragansett Leathers. Bridle leather is a thickly cut leather with a high oil content, which makes it both harder wearing and water resistant. This is the kind of belting leather that will indeed last a lifetime. Narragansett makes their belts quite simply – leathers are cut, holes are punched, and buckles and keepers are then attached. A basic, durable belt starting at about $35.

Another bridle leather belt maker is Equus Leathers, who I like a bit better for the details they put in. The edges have a nice scored line, the keepers are squared off, and the edge burnishing is done a bit more nicely. I also like their very well-executed handsewn saddle stitching. Charlie, who runs Equus, used to make a living in bespoke saddlery, but the market for that has been destroyed by foreign imports. So now he just does belts, and knows the craft quite well.

The robustness of bridle leather makes it appropriate for chinos and jeans, but for suits and any worsted material, I like dressier, edge stitched belts from companies such as James Reid. Theirs are made from an all-leather, two-piece construction. There’s no inner layer or non-leather filler, which makes them much softer and smarter than bridle leather belts. The backing strap is made from full-grain, oak-tanned, harness quality cowhides from one of the last remaining tanneries in America, Herman Oaks. This strap is beveled along both edges, so that when the top layer is laid down, a contoured cross-sectional shape is produced with a feathered edge. Should you need an affordable buckle to go with their belts, you can contact Charlie at Equus. 

Lastly, there’s Herve N. Sellier, a French maker of fine leather goods that was introduced to me by a friend of mine who knows more about quality clothing than anyone I know. I’ve never tried Herve N. Sellier’s goods, but the company’s founder and craftsman used to produce exclusively for Hermes for twenty years, which alone should probably say something about his craft. Remarkably, the prices he charges for his belts aren’t too much more than those from the options mentioned above.

(Pictured: my belts from James ReidNarragansett Leathers, and Equus Leathers)

Shawl Collar Cardigans

As legend has it, the original cardigan was invented for Lieutenant General James Brudenell, the Seventh Earl of Cardigan. He wanted a sweater that he could put on without ruining his perfectly coiffed hair. So, the front was cut open, buttons put in, and voilà – we have the cardigan sweater. How the shawl collar – a detail originally designed for the Victorian smoking jacket – got mixed in is unclear. Perhaps it’s because both were considered at-home pieces for lounge and leisure. Who knows.

In any case, shawl collar cardigans make for great autumnal sweaters. The elongated line of the collar nicely frames the face while the body of the knit keeps the wearer comfortable and warm. Today, you can get these from a number of companies, and they range from the stratospherically priced to the reasonably affordable.

I’ll start with the stratospherically priced. Even if we’re not able to afford them, they’re fun to look at (and talk about). These tend to be knitted in Scotland and made from multi-ply wool, cashmere, lambswool, or camelhair yarns. Multi-ply means that multiple plies are twisted together to form a thicker, stronger yarn. This gives the sweater more warmth and durability. The yarns are also usually made from longer animal fibers, which means there are fewer weak points that can break and result in pilling. Finally, the weaves tend to be denser and tighter, which helps ensure that the sweater will keep its shape for years to come. The result, while expensive, is something that’s incredibly chunky, plush, and warm. Wear one of these on a chilly morning and you’ll be immediately be impressed with the quality. 

You can find such cardigans at a number of traditional American clothiers. Ben Silver, O’Connell’s, Kabbaz-Kelly, and Paul Stuart have exceptionally nice ones. From Europe, there’s Drake’s, Berk, Johnstons of Elgin, and Peter Johnston. Ovadia & Sons also makes a nice, thick lambswool one that’s suitable for someone wanting a slimmer fit. All of these tend to be expensive, but some will go on sale at the end of the season. In fact, Ben Silver has some at 50% off now.

For something more affordable, check out J Crew, Rugby, Brooks Brothers, Gant, Land’s End, Orvis, and Save Khaki (one of which is on Gilt). These tend to be thinner than the ones mentioned above, and will likely have cheap, plastic buttons instead of animal horn. You can swap out the buttons yourself, however, for about $30-50. Finally, you may want to consider the options at Northern Watters, White of Hawick, and Black Sheep. I have no personal experience with their products, but nice things have been said about them across the various menswear forums. And although their websites aren’t terribly appealing, it’s important to separate out marketing hype from quality of clothing. They may just be the right middle point between the over-priced, under-delivered “fashion brands,” and the superlative, but incredibly expensive, Scottish knits. 

A Good Day’s Thrifting
After working every day for a few weeks straight, I took a few hours yesterday to pursue some hobby time. I hopped in the car and headed for the west side of Los Angeles to do some thrifting.
I live in East LA, where there are plenty of thrift stores, but precious little quality menswear on the racks therein. The reason’s simple - no rich people, no rich people clothes. There are some thrift chains that distribute across a region, rather than store-by-store, and there are always scores available everywhere, but the percentages are best in nice stores in affluent areas.
I ended up with the pile above. The Polo suit is older, probably from the 1980s, made in the USA, in a beautiful gray birdseye. Perfect fit and a very classic style, especially for a big tall guy like myself. I find myself drawn to Polo from the mid-80s and before, when it was inspired by classic styles of the 1930s and ’40s. The better-quality pieces have held up with time, as well. This suit will require a letting out in the waist and taking up in the sleeves and trousers, but both of those are easily done by my tailor. It set me back $40.
I found the pocket squares in the ladies’ scarves section of one of my favorite thrifts. It’s always worth taking a peek there - pocket squares are usually about 15 or 16 inches square, and scarves for women tend to be much larger, so it’s easy to spot the difference. Only one of the ones I picked up had a brand (also Polo), but all are great options, and they were only five bucks each.
The ties came from a Goodwill that’s been very productive for me in the past. The green striped one was the first I found - I spotted its Kiton tag from across the room. The rest are made by Paul Stuart (in England), Facconable (by Breuer, in France), Brooks Brothers Makers and Andrew of Milano. There was another Kiton, stained, that I left on the rack.
The trip represented visits to six stores, and I shopped at two of them. I spent a total of about $75 (plus another $15 on baby clothes, not pictured). Not bad for half a day’s work.

A Good Day’s Thrifting

After working every day for a few weeks straight, I took a few hours yesterday to pursue some hobby time. I hopped in the car and headed for the west side of Los Angeles to do some thrifting.

I live in East LA, where there are plenty of thrift stores, but precious little quality menswear on the racks therein. The reason’s simple - no rich people, no rich people clothes. There are some thrift chains that distribute across a region, rather than store-by-store, and there are always scores available everywhere, but the percentages are best in nice stores in affluent areas.

I ended up with the pile above. The Polo suit is older, probably from the 1980s, made in the USA, in a beautiful gray birdseye. Perfect fit and a very classic style, especially for a big tall guy like myself. I find myself drawn to Polo from the mid-80s and before, when it was inspired by classic styles of the 1930s and ’40s. The better-quality pieces have held up with time, as well. This suit will require a letting out in the waist and taking up in the sleeves and trousers, but both of those are easily done by my tailor. It set me back $40.

I found the pocket squares in the ladies’ scarves section of one of my favorite thrifts. It’s always worth taking a peek there - pocket squares are usually about 15 or 16 inches square, and scarves for women tend to be much larger, so it’s easy to spot the difference. Only one of the ones I picked up had a brand (also Polo), but all are great options, and they were only five bucks each.

The ties came from a Goodwill that’s been very productive for me in the past. The green striped one was the first I found - I spotted its Kiton tag from across the room. The rest are made by Paul Stuart (in England), Facconable (by Breuer, in France), Brooks Brothers Makers and Andrew of Milano. There was another Kiton, stained, that I left on the rack.

The trip represented visits to six stores, and I shopped at two of them. I spent a total of about $75 (plus another $15 on baby clothes, not pictured). Not bad for half a day’s work.

Q and Answer: The Partially-Lined Blazer
Layton writes: I recently bought a Paul Stuart tweed blazer on eBay. I’m happy with the  way it looks on me, but it seems to be missing the liner on  the inside that all blazers and suit jackets I have ever worn or seen  have. Did the seller remove the liner, or are some blazers sold without one?
A jacket’s lining has three purposes.
The primary functional purpose is to allow the coat to slide freely on and off, and to hang freely when worn. The lining also provides some measure of additional warmth, and it covers up the guts of the coat, meaning that seams can be left unfinished without looking sloppy.
Until the latter part of the 20th century, the norm was for coats to be made from heavier fabric (for drape), with lining only where necessary. That meant that the sleeves would be lined (so your shirt wouldn’t catch), the shoulders would be lined (so that the back would hang smoothly without bunching), and the chest would be lined (to cover the canvassing and provide for pockets). This meant that exposed seams - in the back of the coat and sometimes in the lower part of the front as well - had to be taped (wrapped with a sewn ribbon) so they’d be presentable and durable.
When the suit coat became a mass-produced product, manufacturers realized that it was cheaper just to leave the seams unfinished and cover them up with a lining. Things were a bit more clammy in a fully-lined coat, but this was less important as the jacket’s primary cloth became more and more lightweight.
When one finds a partially-lined coat these days, it’s generally either a high-end product or designed for summer wear. Since I prefer to wear a heavier cloth, given the opportunity, I like a less-lined coat when possible.
The lining, by the way, is almost always made of bemberg, an early semi-synthetic fabric (invented in the teens) made from plants. If your suit is lined with polyester, it’s probably crap. (If it’s lined with silk, you’re probably super sweaty.)

Q and Answer: The Partially-Lined Blazer

Layton writes: I recently bought a Paul Stuart tweed blazer on eBay. I’m happy with the way it looks on me, but it seems to be missing the liner on the inside that all blazers and suit jackets I have ever worn or seen have. Did the seller remove the liner, or are some blazers sold without one?

A jacket’s lining has three purposes.

The primary functional purpose is to allow the coat to slide freely on and off, and to hang freely when worn. The lining also provides some measure of additional warmth, and it covers up the guts of the coat, meaning that seams can be left unfinished without looking sloppy.

Until the latter part of the 20th century, the norm was for coats to be made from heavier fabric (for drape), with lining only where necessary. That meant that the sleeves would be lined (so your shirt wouldn’t catch), the shoulders would be lined (so that the back would hang smoothly without bunching), and the chest would be lined (to cover the canvassing and provide for pockets). This meant that exposed seams - in the back of the coat and sometimes in the lower part of the front as well - had to be taped (wrapped with a sewn ribbon) so they’d be presentable and durable.

When the suit coat became a mass-produced product, manufacturers realized that it was cheaper just to leave the seams unfinished and cover them up with a lining. Things were a bit more clammy in a fully-lined coat, but this was less important as the jacket’s primary cloth became more and more lightweight.

When one finds a partially-lined coat these days, it’s generally either a high-end product or designed for summer wear. Since I prefer to wear a heavier cloth, given the opportunity, I like a less-lined coat when possible.

The lining, by the way, is almost always made of bemberg, an early semi-synthetic fabric (invented in the teens) made from plants. If your suit is lined with polyester, it’s probably crap. (If it’s lined with silk, you’re probably super sweaty.)

BespoKenN recently showed me these flannel trousers by Paul Stuart. For those unfamiliar with flannel, it’s a densely packed, soft fabric that has wool fibers of varying lengths laying in different directions. The close up pictures here show it well. The fabric can come in various weights and it always feels amazingly comfortable. It’s also very efficient at trapping heat, so it’s great for the fall and winter seasons.

I have a few flannel trousers in various shades of grey and brown, but have been wondering what would be the next best color to get them in. I’ve been contemplating olive, and after seeing these Paul Stuart flannels, I think I’ve come to the right decision.

Fall and Winter Gloves

Depending on where you live, it may be time to start wearing gloves. When buying a pair, I recommend you avoid cotton, acrylic, and synthetic leathers; they’re neither warm nor durable. Wool or cashmere can work if they’re tightly knit. I wear Filson’s fingerless wool gloves when I go jogging (they also come in a full fingered variety). For people who are always on electronic devices, there’s also Freehands.

For something a bit sharper looking, try leather gloves. These can be made out of any number of animal skins. Peccary is luxurious and soft, while hairsheep is finer and less bulky. Deerskin has a “tacky” surface that’s good for gripping, but it’s a bit more rugged in appearance. There are also hogskin gloves, which are very hard-wearing.

Additionally, there are the linings. If you plan to use these in cold weather, you’ll want the inside of the gloves lined with cashmere or silk. Cashmere will be softer and warmer, but also a bit bulkier. If you’re going to wear them in a cool climate, opt for a pair that’s unlined. They won’t be as warm, but they’ll be more durable and fit better.

Colorwise, black and brown are the most versatile, but like with shoes and suits, I find black to be overrated. I have a few pairs of gloves that match the range of colors in my shoes - merlot, dark brown, mid-brown, and tan. When I want to add a bit of texture or visual interest, I wear dark green capeskin or grey suede lambskin. I also recently ordered some yellow chamois, which are the classic gentleman’s gloves, but they’ve yet to arrive.

As for where you can buy a a good pair, I recommend Dents and Pickett. American retailers such as Ralph Lauren, Brooks Brothers, Paul Stuart, Hickey Freeman, and Ben Silver also sell very good models. The upside to buying from them is that they often hold seasonal sales. For something a bit more affordable, Nordstrom’s house brand is a pretty good value. Finally, remember that the most important part of a glove is the fit - you want something that fits and flatters your hand. If you’re not able to find a proper pair, try getting custom gloves through Chester Jefferies or Madova. Both will make a glove for you if you send in a tracing of your hand, but I find that photocopies or scans work best.

Ties for Fall

The first photo above has haunted me ever since I first saw it at 13th and Wolf. It’s what I would consider the perfect fall tie. The colors are warm, the pattern is simple but interesting, and the wool fabric gives the tie a nice, soft appearance. Together, these characteristics make it the perfect expression of fall. 

While we may never own a tie so ideal, there are some great ties to take advantage of this season. Here are seven types that you should consider:

  • Most of your seasonal ties for fall should be made (at least in part) out wool. These can come in many forms - wool challis, wool flannel, tweed, etc. Challis is a plain weave that feels supple and lightweight; flannel will have a soft, brushed nap; and tweed will be a bit rougher. Like with silk ties, a solid color can work well if the fabric has a bit of texture to it (eg brushed flannel). For something slightly more interesting, you can also get a plain colored tie, but one with a slightly mottled weave or herringbone pattern. My favorites, however, are wool ties with small geometric patterns, stripes, or checks such as windowpanes. A number of tweed ties also come speckled, which can be interesting. 
  • Like wool ties, cashmere ties also make for excellent fall staples. Since the material is more luxurious, they will typically cost a bit more than wool, however. Since they’re softer, they also don’t typically wear as well.
  • Another traditional fall tie is the ancient madder. Ancient madder ties are distinguished by their muted hues, traditional patterns (often with paisleys) and their soft, matte finish. You’ll find beautifully deep, soft, matte colorings, such as mustard yellow, jade green, and indigo blue. They’re produced on a special “gum” silk, and when handled, they have a hefty, chalky hand similar to fine suede. They can come in paisley or any number of small, geometric designs.
  • I had a phase once where I went a little tartan crazy. Now I find that with the exception of black watch, it’s hard to wear tartan ties. However, one thing they go excellently with is a tweed jacket. It makes sense given how popular the two are in Scotland. If you own a tweed jacket, I don’t recommend you go out and buy ten tartan ties like I did, but maybe buy one. 
  • Your regular run of woven silk ties can still feel seasonal. Just keep your colors autumnal - burgundy, chocolate, hunter green, and pale gold are all good colors to stand by. 

So where to buy some of these ties? My favorite shops are Drake’s (pictured above), Sam Hober, Paul Stuart, Ralph Lauren, and J Press. Additionally, some excellent options are available at Howard Yount, Mountain and Sackett, and Ovadia and Sons. For those looking for something more affordable, Land’s End also has a couple of handsome wools for between $50 and $60.

Finally, note that seasonal ties aren’t a necessity. You can still obviously wear your regular rotation of silk ties - grenadines and knits are still great ties to wear regardless of the season. It’s just that having a seasonal touch here and there can be fun, and the above are good options to consider.  

The “Steals & Deals” section of The Rider Boot Co.’s store has some really excellent stuff at the moment, at really excellent prices. Rider’s own designs are sometimes a bit nutty, but there are some attractive choices, too. Perhaps most notable is a modest selection of Grenson shoes, made to a very high standard for a men’s retailer whose name rhymes with Stall Puart - all for less than $200 a pair. Get in on the fun here.

The “Steals & Deals” section of The Rider Boot Co.’s store has some really excellent stuff at the moment, at really excellent prices. Rider’s own designs are sometimes a bit nutty, but there are some attractive choices, too. Perhaps most notable is a modest selection of Grenson shoes, made to a very high standard for a men’s retailer whose name rhymes with Stall Puart - all for less than $200 a pair. Get in on the fun here.

eBay Round Up
Here’s the first eBay Round Up for this week. Also note that Brooks Brothers, J Press, and Paul Stuart are having some sales right now. You may want to check those out as well. 
Reiss jacket, L
Surface to Air bomber, L
APC Breton shirt, L
Whitehouse Cox wallet
Ralph Lauren Purple Label aviators, 53
Ralph Lauren briefcase
Gieves and Hawkes buckshot brogues, UK 12
Optimo Panama hat, 6 1/4
Quilted Beretta jacket, 48
Gieves overcoat, 44
Richard James shirts with seahorses
Harrods silk dressing gown, XL