Personal Style Through Elimination
Ivy-Style had a nice post last week about the well-edited wardrobe, which reminded me of how much stuff I’ve gotten rid of over the years. Christian, the writer behind the blog, is a bit more ruthless about culling than I am. He had a great post many years ago praising small wardrobes, and the accompanying photograph was of just one tie. I assume that was shot for effect, but I don’t think it’s far off from how he operates.
In any case, there’s a passage in his article that I really like

As a result, I’ve never understood the web’s notorious clotheshorses and their compulsive acquiring. Money is not the issue, as some spend lavishly while others are inveterate thrifters. At some point both must reach a stage of surfeit, when it’s impossible for every item in their wardrobe to be fondly cherished. It’s the difference between having a dog and having a kennel. At some point it’s just variety for it’s own sake, and at that point are your clothes really an extension of you?
And just because an item is already broken in doesn’t mean it will automatically feel second nature to wear it. Whether it’s an old rep tie or a vintage Harris Tweed, an item new to you is still new, and will take time until you’re wholly unaware of wearing it. But before then the item will not feel like a part of you, but a kind of awkward sartorial prosthesis.

I perhaps value variety a bit more than Christian. I find it’s nice to have a wardrobe that will suit any kind of occasion, weather, or mood one might find themselves in, and to do that, it’s hard not to have a sizable wardrobe. Still, I’ve gotten rid of quite a lot over the years: patterned pants, pastel shirts, fabric belts, sack coats, and a smattering of designer clothing. Basically things that caught my eye in a store, but didn’t feel natural enough to me when I got around to wearing it. So in continually editing out things that don’t feel right, I think I’ve come to a better sense of personal style. 
Which is to say, if you’re just starting off, perhaps it’s not as good of an idea to “buy less, buy better.” Instead, dabble around and shop in the middle-tiers of quality. That way, you don’t lose out on too much as you try to find your own sense of style. Let your tastes slowly mature, be honest with what you wear, and cull everything that doesn’t feel like a natural extension of yourself. That’s the best way, I think, to find your own personal style: through a process of elimination. 

Personal Style Through Elimination

Ivy-Style had a nice post last week about the well-edited wardrobe, which reminded me of how much stuff I’ve gotten rid of over the years. Christian, the writer behind the blog, is a bit more ruthless about culling than I am. He had a great post many years ago praising small wardrobes, and the accompanying photograph was of just one tie. I assume that was shot for effect, but I don’t think it’s far off from how he operates.

In any case, there’s a passage in his article that I really like

As a result, I’ve never understood the web’s notorious clotheshorses and their compulsive acquiring. Money is not the issue, as some spend lavishly while others are inveterate thrifters. At some point both must reach a stage of surfeit, when it’s impossible for every item in their wardrobe to be fondly cherished. It’s the difference between having a dog and having a kennel. At some point it’s just variety for it’s own sake, and at that point are your clothes really an extension of you?

And just because an item is already broken in doesn’t mean it will automatically feel second nature to wear it. Whether it’s an old rep tie or a vintage Harris Tweed, an item new to you is still new, and will take time until you’re wholly unaware of wearing it. But before then the item will not feel like a part of you, but a kind of awkward sartorial prosthesis.

I perhaps value variety a bit more than Christian. I find it’s nice to have a wardrobe that will suit any kind of occasion, weather, or mood one might find themselves in, and to do that, it’s hard not to have a sizable wardrobe. Still, I’ve gotten rid of quite a lot over the years: patterned pants, pastel shirts, fabric belts, sack coats, and a smattering of designer clothing. Basically things that caught my eye in a store, but didn’t feel natural enough to me when I got around to wearing it. So in continually editing out things that don’t feel right, I think I’ve come to a better sense of personal style. 

Which is to say, if you’re just starting off, perhaps it’s not as good of an idea to “buy less, buy better.” Instead, dabble around and shop in the middle-tiers of quality. That way, you don’t lose out on too much as you try to find your own sense of style. Let your tastes slowly mature, be honest with what you wear, and cull everything that doesn’t feel like a natural extension of yourself. That’s the best way, I think, to find your own personal style: through a process of elimination. 

Put This On Episode 7: Personal Style

Episode seven of Put This On explores personal style - elegant, quirky, distinctive and everywhere in between.

Field correspondent Dave Hill visits the annual meeting of the Corduroy Appreciation Club, held each year on 11/11, the date which most resembles corduroy. He discovers a magical world, dedicated to the promotion of that most bookish of fabrics, and to the denigration of the sworn enemy of the wale: velvet.

Then Roxana Altamirano brings a new Nerd Boyfriend segment, with an investigation of an icon of eccentric style, Andre Benjamin, aka Andre 3000 of Outkast.

Plus: a conversation with one of the world’s most elegant men, Gay Talese. He’s not just one of America’s most celebrated magazine writers and the man who invented the contemporary magazine profile. He’s also one of the best-dressed men in the world, the son of an immigrant tailor who imbued in his progeny a love of fine clothing. Besides that, he’s got his own lapel shape!

Stay tuned to putthison.com for more information about season two. If you or your business is interested in sponsoring season two, email us at contact@putthison.com.

Directed by Adam Lisagor

Editing & Second Camera by Benjamin Ahr Harrison

Hosted & Written by Jesse Thorn

Featuring Dave Hill & Roxana Altamirano

iTunes / Vimeo / YouTube

Clothing Credits

Funding Credits

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“My style is community-college librarian.” Zach Galifianakis