Trad Nirvana: J. Press Tweed, Circa 1953

One of the great things about thrift store shopping is finding something that seems like it comes from another world. This J. Press coat I found over the weekend is a perfect example. It’s a custom job, completed in October of 1953.

The tweed on this feels like it could stop a bullet. In fact, sixty years later, it’s completely unscarred by time. It could well have just come off the production line. Unlike J. Press today, which usually features a single hooked vent, it’s unvented, but it still features the classic three-roll-two button configuration.
 I only wish that it fit me.

I had a Brooks Brothers herringbone almost exactly like this. Size 41L. Mid-60s. Half-lined. Lost it in Heathrow Airport, running for a flight, carrying my baby son and all our luggage. I started sweating, so I took it off and draped it over my shoulder bag. Slipped off in the tunnel between terminals.
One of the saddest material losses of my life.
(via VoxSart)

I had a Brooks Brothers herringbone almost exactly like this. Size 41L. Mid-60s. Half-lined. Lost it in Heathrow Airport, running for a flight, carrying my baby son and all our luggage. I started sweating, so I took it off and draped it over my shoulder bag. Slipped off in the tunnel between terminals.

One of the saddest material losses of my life.

(via VoxSart)

Q and Answer: Elbow Patches
Shane asks:  I would love to hear some discussion on blazers / sports coats and the use of elbow patches.  Yes or no?
Several folks have written me about elbow patches lately, so I thought I’d offer an answer.
Traditionally, elbow patches patched the elbows of coats. After all, the elbow, being both a flex point and a point likely to be abraded, is the part of a coat that wears out quickest. Elbow getting thin? Want to keep the coat? Patch it. There’s no doubt that patching a worn elbow is kosher. My favorite cashmere sweater has patched elbows, and I’ve got an old herringbone tweed coat that’s going to need some soon.
Add elbow patches to an old coat, and it instantly becomes more casual. Indeed, it’s a maneuver that only works on coats that are inherently casual to begin with - you see patches on tweed, corduroy and the occasional flannel blazer, but you’d never seen them on a pinstriped business suit. The patched elbow is suitable for the man who lives in a casual sportcoat but values thrift. Hence the professorial associations.
In the last few years, patched elbows have been seen on ready-to-wear more frequently. Brands like Brunello Cucinelli have added patches to blazers and sportcoats with great abandon. It’s part of the re-casualization of tailored clothing, a specialty of the Italians of late. At its best, it can be a nice color and textural contrast to the primary fabric. Some folks have gone a bit crazy with the idea.
Adding patches to an existing coat is an inexpensive alteration, but be careful not to go too wild, or it can look affected.
(photo by Garry Knight)

Q and Answer: Elbow Patches

Shane asks:  I would love to hear some discussion on blazers / sports coats and the use of elbow patches.  Yes or no?

Several folks have written me about elbow patches lately, so I thought I’d offer an answer.

Traditionally, elbow patches patched the elbows of coats. After all, the elbow, being both a flex point and a point likely to be abraded, is the part of a coat that wears out quickest. Elbow getting thin? Want to keep the coat? Patch it. There’s no doubt that patching a worn elbow is kosher. My favorite cashmere sweater has patched elbows, and I’ve got an old herringbone tweed coat that’s going to need some soon.

Add elbow patches to an old coat, and it instantly becomes more casual. Indeed, it’s a maneuver that only works on coats that are inherently casual to begin with - you see patches on tweed, corduroy and the occasional flannel blazer, but you’d never seen them on a pinstriped business suit. The patched elbow is suitable for the man who lives in a casual sportcoat but values thrift. Hence the professorial associations.

In the last few years, patched elbows have been seen on ready-to-wear more frequently. Brands like Brunello Cucinelli have added patches to blazers and sportcoats with great abandon. It’s part of the re-casualization of tailored clothing, a specialty of the Italians of late. At its best, it can be a nice color and textural contrast to the primary fabric. Some folks have gone a bit crazy with the idea.

Adding patches to an existing coat is an inexpensive alteration, but be careful not to go too wild, or it can look affected.

(photo by Garry Knight)

Is it bad that I’m already thinking about Fall?

Some beautiful photographs of Holland and Sherry tweeds here and here.

Put This On Season Two, Episode 4: Eccentric Style

Put This On, a web series about dressing like a grownup, visits London, where we visit with a few of the distinctive personalities that help make London a special place.

Guy Hills makes tweeds with the colors of the London streets- including reflective stripes for cyclists.

David Saxby went from being a vintage dealer to recreating traditional styles in his own factories with the workers who’d been laid off as clothing manufacture left England.

We visit Cordings, an unusual outdoor clothing store that Eric Clapton felt so strongly about he bought it.

And we learn a few ways to tie a scarf. Plus our sponsor, Mailchimp, and of course Rudiments with Dave Hill.

This is the fourth episode in our six-episode second season. In this season, we visit the three greatest men’s style cities in the world, as chosen by our readers - New York, Milan and London.

—-
Watch it elsewhere:

Vimeo / Youtube / iTunes


—-

Buy Season One on DVD for $16

This episode was supported by our viewers and by Mailchimp.


—-

Executive Producers: Jesse Thorn & Adam Lisagor

Director: Benjamin Ahr Harrison

Host / Writer / Producer: Jesse Thorn

Rudiments: Dave Hill

Producer: Kristian Brodie

Director of Photography: Charlie Cook

Sound: Kristian Brodie

PTO Place: W. Bill

Excerpted from S2E3 of Put This On: “(New) Traditions”

Ray Hammett of W. Bill tells us about the world’s most legendary tweed merchant.

Put This On Season Two, Episode 3: (New) Traditions

Put This On, a web series about dressing like a grownup, visits London, where we examine how traditions are being reinvented in the birthplace of classic menswear.

We go to Savile Row, where we meet up with a historical guide to talk about the history of the world’s oldest tailoring street. We also chat with the tailor Richard Anderson about what’s special about The Row. Patrick Grant, the owner and designer of Norton & Sons, talks about how Savile Row can become a vital part of the international fashion world again.

Just off Savile Row, we go to the basement showroom of W. Bill, the world’s most legendary tweed merchant. Ray Hammet, who’s worked at W. Bill for decades, shows us around the stacks of wooly majesty.

In our PTO: Man segment, we talk with Ian Bruce, painter and member of the band The Correspondents, about re-imagining the SoHo dandy for the 21st century. He takes us through London’s red light district, and tells us why he doesn’t want to look like a painter at the end of a long day of painting.

We visit the tie factory owned and operated by Drake’s of London to learn how a high-quality tie is made, from fabric to finished product. Then we buy one to send to a supporter of the show.

Plus Dave Hill tells where sport sunglasses are and are not appropriate, in Rudiments.

This is the third episode in our six-episode second season. In this season, we visit the three greatest men’s style cities in the world, as chosen by our readers - New York, Milan and London.

—-
Watch it elsewhere:

Vimeo / Youtube / iTunes


—-

Buy Season One on DVD for $16

This episode was supported by our viewers and by The Put This On Gentlemen’s Association.


—-

Executive Producers: Jesse Thorn & Adam Lisagor

Director: Benjamin Ahr Harrison

Host / Writer / Producer: Jesse Thorn

Rudiments: Dave Hill

Producer: Kristian Brodie

Director of Photography: Charlie Cook

Sound: Kristian Brodie

Above are samples of Robert Noble’s Gamekeeper tweed. I found them after reading Eric Musgrave’s post about Kathryn Sargent, and seeing the handsome Robert Noble tweed jacket he had her make up for him. This is some really, really beautiful stuff.

Country Mouse & City Mouse

Country Mouse & City Mouse

Almost all of menswear’s tradition is based in England, and particularly the England of the late 19th and early 20th centuries. The lifestyle of the upper and upper-middle classes at the time - professionals and gentry alike - was sharply defined by geography. If you had the money, you lived two lives: one in the city, one in the country. Each of these lives had a wardrobe, and each of these wardrobes was distinctive.

This separation still shapes our dress today. Let’s take a look at how.

You can see this distinction if you watch a period television show. Jeeves & Wooster is a favorite of mine, with two brilliantly hilarious performances from Stephen Fry and Hugh Laurie. As Bertie Wooster, Laurie flits between city and country, discarding his conservative urban attire (left), and donning country togs (right). Sometimes absurdly outrageous ones.

As Downton Abbey has crossed the threshold of World War One and moved toward modernity, the clothes have become more recognizable there, as well. Since almost all the action on the show takes place on a country estate, you’ll see almost exclusively country clothes. You’ll also recognize the role that outdoor sports have played in the development of menswear, and of the distinction between country and city.

But is this antiquated tradition meaningful to us in modern times? Do we owe anything to the gentlemen above, passing each other on the train platform, one headed into town, one out?

Absolutely.

Let’s start simply, though, by defining better what “country” and “city” clothes are.

What Are City Clothes?

Broadly speaking, city clothes are made to match the aesthetics and demands of city life. That means they’re largely built for business.

Defining characteristics:

  • An urban color palette of gray and blue.
  • Solid-colored suits.
  • Business-striped suits.
  • Small-scale checks in conservative colors.
  • Worsted wool.
  • Black leather shoes and accessories.
  • Color in patterned shirts and (in some cases) ties.
  • Dressing down from suits with conservative blazers.

What are Country Clothes?

Country clothes are defined by their sporting heritage and their ties to the colors of the outdoors.

Defining characteristics:

  • A country color palette featuring the colors of nature, like tans, browns, and greens, with sometimes-bold complimentary accents, like burgundy and orange.
  • Frequent use of bold patterns, like checks and multi-colored tweeds.
  • Suits often replaced with sport coats and odd (non-matching) trousers.
  • Sporting details like hacking pockets, ticket pockets, patch pockets and leather buttons.
  • Fabrics with soft finishes and sporting heritage, like tweed, corduroy and flannel.
  • Brown leather accessories, including suede and heavier shoes and boots.

What does this mean today?

Unless you’re a member of the House of Lords, it’s unlikely that you’ll be flitting between a Mayfair manor and a country house, with a special wardrobe for each and a valet like Jeeves to keep you dressed appropriately for your milieu. Many folks in the first world live between country and city these days, in suburban and exurban environments that are neither dominated by gray concrete nor appropriate for grouse hunting. The days of strict adherence to the line between country and city are over - but understanding the line is still important.

Remember that these lines aren’t just about place, they’re also about tone. City clothes are still the most appropriate for most business contexts. Show up to court in tweed and you’ll still look foolish in the 21st century. Country clothes are still the most relaxed - that’s why you can wear heavy country brogues with jeans but sleek black cap-toes would look out of place.

So consider the tone of the place where you live, and the activities that make up your daily life. If you’re a city lawyer, your wardrobe should be dominated by traditional city clothes. On weekends, you can dabble in country garb. If you live in the outskirts of Savannah, where you’re a graphic artist, you can wear blue jeans and tweed without looking out of place at the Piggly Wiggly. No matter what you choose to wear, let it be informed by a hundred years of history and tradition.

A nice guy at Richmond Park asked “do you mind if I take a picture of the photographers in the tweed caps?”
Our London team.
Wearing semi-matching hats completely accidentally. It was cold outside.

A nice guy at Richmond Park asked “do you mind if I take a picture of the photographers in the tweed caps?”

Our London team.

Wearing semi-matching hats completely accidentally. It was cold outside.