Nearly every piece of clothing we own was designed as part of someone’s vision, whether that vision was personal or creative or focus-grouped for impact on the mass market; prep pastiche, minimalist performance, louche Italian cafewear, what have you. Those visions are are articulated through runway shows, catalog photography, in-store merchandising, astroturf marketing; whatever. It’s tempting to buy into these visions entirely, and acquire a lot of one line (or vintage era, or subcultural dress code) in order to be coherent. These unified worldviews can also be intimidating, sometimes intentionally so, implying that a certain level of commitment is required to wear, for example, a designer leather jacket.
I think that’s unrealistic and ridiculous.
Brian in DC provides a good example of building a coherent wardrobe from seemingly disparate sources. He wears some relatively accessible basics (like Uniqlo and Steven Alan), with more unusual, special items, like his Rick Owens leather jacket or a wool Veronique Branquinho coat (Branquinho’s label hasn’t made menswear in a few years). He doesn’t shy away from heritage-influenced brands either, like Nigel Cabourn or Folk. Runway shows don’t usually say “comfortably understated” to me, but Brian’s photos do. It helps that Brian seems to know what he likes: quiet colors, refined fabrics, mixed textures, and fitted but not tight silhouettes. The outfits pictured above are a template for modern casual wear, and Brian’s approach of finding what works for him from perhaps unexpected sources is a model for filling and refreshing your closet.